Styles of Communication, Vol 2, No 1 (2010)

Abstract

This article deals with the issue of finding a new exhibition site inside the transgression art area, to be more precise, the virtual space. The challenge to overcome the existing frontiers brings transgression in front of the virtual and the objects undergo visible changes starting from the artist’s status. The mechanics of producing an artistic product in the virtual world differ from what the artist used to make and now the public comes only to decrypt the image of the work. The onlooker does not have the work of art in front of him/her, it is hidden in and by the new languages the artist works with.